japanese rock candy band
X Japan ( japanese : エックス・ジャパン, Hepburn : Ekkusu Japan ) is a japanese rock candy band from Chiba, formed in 1982 by drummer and pianist Yoshiki and lead singer Toshi. Starting as a predominantly exponent / accelerate alloy band with heavy symphonic elements, they late gravitated towards a progressive fathom with an vehemence on ballads. Besides being one of the first gear japanese acts to achieve mainstream achiever while on an independent pronounce, the group is widely credited as one of the pioneers of ocular kei, a bowel movement among japanese musicians comparable to western glam. originally named X ( エックス, Ekkusu ), they released their debut album Vanishing Vision ( 1988 ) on Yoshiki ‘s own Extasy Records one year after finalizing their line-up including bassist Taiji, run guitarist Hide and rhythm guitarist Pata. They achieved discovery achiever in 1989 with the release of their second and major debut album Blue Blood. Following 1991 ‘s Jealousy, Taiji left the band in early on 1992. He was replaced by Heath and the group changed their name to X Japan before producing the miniskirt album Art of Life ( 1993 ), which is composed entirely of the 29-minute style track. In 1995 the group dropped most of its original ocular kei aesthetics in prefer of a more casual look and released Dahlia ( 1996 ), which like their two previous albums debuted at number one. X Japan performed their last concert at the Tokyo Dome on December 31, 1997, making it the last of five consecutive sold-out New Year ‘s Eve concerts the group held at the stadium. After ten years, X Japan reunited in 2007 and recorded the new song “ I.V. “. Over the next two years they performed several concerts, including their first oversea usher in Hong Kong, and formally added Sugizo as jumper cable guitarist in rate of Hide, who died in 1998, before holding a north american tour in 2010. In 2011, the band went on their first world tour throughout Europe, South America and Asia. shortly after reuniting, work began on their sixth studio album. During its ten years of production, several publish dates were announced, but it remains unreleased despite Yoshiki ‘s claim of its completion in September 2018.

x Japan has released five studio albums, six hot albums, and 21 singles. In 2003, HMV Japan ranked the set at phone number 40 on their list of the 100 most important japanese start acts. In 2007, Rolling Stone Japan ranked Blue Blood number 15 on its tilt of the 100 Greatest japanese Rock Albums of All Time. [ 1 ] In 2017, Loudwire named X Japan the Best Metal Band from Japan. It has been reported that X Japan has sold over 30 million records. [ 2 ] [ 3 ]

history [edit ]

1977–1992 : ten [edit ]

Because of our hard-core outfit and makeup, critics did n’t take the music badly and dismissed us by saying, “ They aren ’ t play music ” or “ It ‘s some kind of indicate or costume party. ” But as the audience grew and shows started selling out everywhere we went, I realized what I had been doing was correctly .Yoshiki about the beginnings of X, Billboard[4]

In 1977, Yoshiki and Toshi formed a band called Dynamite in their hometown of Tateyama, Chiba, when they were just 11 years old. Dynamite changed its name to Noise in 1978, while they were still in gamey school. [ 5 ] At this fourth dimension, Toshi played guitar and they had a singer named Kurata. [ 6 ] In 1982, Noise disbanded and Yoshiki and Toshi formed a raw band, they named it X while they tried to think of another list, [ 7 ] but the name perplex. X began to actively perform in the Tokyo area in 1985 with a frequently changing batting order. They originally attempted to pitch in with Japan ‘s metro kindling movement, but the band did not fit in with it as they were considered besides commercial and flamboyant. [ 8 ] Their beginning one, “ I ‘ll Kill You “ was released on Dada Records in June and the band contributed “ Break the Darkness ” to the taster Heavy Metal Force III in November, which besides featured a song by Saver Tiger. [ 9 ] [ 10 ] In November 1985 bassist Taiji ( ex-husband : dementia ) joined X, though he left the group soon thereafter. [ 11 ] To ensure a continuous exit for the band ‘s music, Yoshiki founded the independent label Extasy Records in April 1986, and released their second single “ Orgasm “. [ 12 ] Taiji would formally rejoin the band in November of that lapp class. [ 11 ] The songs “ Stab Me in the Back ” and “ No Connexion ”, for the February 1987 Victor Records sampling station Skull Thrash Zone Volume I, were recorded with Pata ( x : Judy ) as a support guitar musician. [ 13 ] soon after these recordings Hide ( ex-husband : Saver Tiger ) joined as a guitarist. [ 11 ] After Pata once again provide patronize, this meter at a be show, he officially joined completing the group ‘s first long-familiar lineup. [ 11 ] x circa 1990 : Toshi, Taiji, Yoshiki, Pata, Hide In August 1987 they performed at the Rock Monster event at Kyoto Sports Valley and gave out their first home television, Xclamation. [ 11 ] On December 26, 1987, the isthmus participated in an hearing held by CBS/Sony which led to a record shrink in August of the following year. [ 9 ] [ 11 ] In the interim the ring released its first album, Vanishing Vision through Extasy Records on April 14, 1988, and toured extensively in support of the record. [ 12 ] The album ‘s beginning bid of 10,000 copies sold out in a workweek, topping the Oricon indies chart and reaching count 19 on the chief Oricon Albums Chart, making them the beginning independent band to appear on the independent graph. [ 11 ] [ 14 ] The Vanishing Tour Vol.2 took the band to 20 locations for 24 shows from June to July, while the Burn Out Tour had 12 performances throughout October. [ 11 ] In November, X participated in music magazine Rockin’f’ s Street Fighting Men concert at Differ Ariake Arena. [ 11 ] That year the members besides made a brief cameo appearance in the American film Tokyo Pop, starring Carrie Hamilton and Diamond Yukai. [ 15 ] ten ‘s sold out Blue Blood Tour started on March 13, with two of the concerts selling out in advance, including the March 16 indicate at Shibuya Public Hall, which was later released on home video recording as Blue Blood Tour Bakuhatsu Sunzen Gig. [ 11 ] The album Blue Blood was released on April 21, 1989, and debuted at number six on the Oricon graph. The single “ Kurenai “ reached count five and the band went on the Rose & Blood Tour, which was temporarily suspended when Yoshiki collapsed after a November 22 concert. [ 9 ] This success earned the band the “ Grand Prix New Artist of the year ” award at the 4th annual Japan Gold Disc Awards in 1990. [ 16 ] On November 24, 1990, X flew to Los Angeles to begin recording their follow-up album, Jealousy. [ 9 ] [ 17 ] When members arrived second in Japan in June, 500 members of the Japan self-defense Forces were at the airport to control the crowd. [ 9 ] The album was released on July 1, 1991, and debuted at phone number one, selling over 600,000 copies. [ 18 ] It was belated certified million by the RIAJ. [ 19 ] In August the band performed their first concert at Japan ‘s largest indoor concert venue, the Tokyo Dome. footage from most of the band ‘s shows in that stadium would belated be released on cadmium and home television. The appearance was part of the Violence in Jealousy Tour, which lasted to the end of the year and once again visualize Yoshiki collapse after the October 24 Yokohama Arena gig. [ 9 ] December 8 saw the ten with Orchestra concert at NHK Hall, where, as the name suggests, the band performed backed by an orchestra. [ 9 ] 1992 began with three sold out concerts at the Tokyo Dome, titled Tokyo Dome 3 Days : On the Verge of Destruction, on January 5–7. On January 31, it was announced that bass musician Taiji had left the group. [ 9 ] The official reason given for his deviation was due to musical differences. however, in his autobiography, Taiji claims he was asked to leave because he confronted Yoshiki due to the solid income opening between Yoshiki and each of the other members. [ 20 ] When asked about Taiji ‘s deviation in 2016, Yoshiki said “ he crossed the line of our isthmus ‘s rules ” and “ To this day I hush do n’t know if the decision was right or wrong, but we did n’t have a choice. ” [ 21 ] On August 24, 1992, the band held a press conference in New York at Rockefeller Center. [ 9 ] There, Heath ( ex-husband : Media Youth ) was announced as their new sea bass player. Around this prison term, the band ‘s success in Japan made an international breakthrough appear likely, leading to them leaving Sony for an american record narrow with Atlantic Records and the rename of the band from X to X Japan, [ 22 ] in regulate to distinguish from the American bum group X. ( An American album release would never happen. ) Their beginning show with Heath was at the October 1992 Extasy Summit at Osaka-jō Hall. [ 9 ]

1993–1997 : ten Japan [edit ]

The X Japan logo, used by the band after the mention change in 1992. Art of Life was released on August 25, 1993, [ 23 ] by Atlantic Records, and consists entirely of the 29-minute, heavily orchestrated style track. [ 24 ] It debuted at total one, [ 23 ] however the isthmus only performed two concerts that class, as each member began alone careers. [ 9 ] Aptly titled X Japan Returns, the concerts were held at the Tokyo Dome on December 30 and 31, [ 25 ] marking the begin of a New Year ‘s Eve tradition that would last until the group ‘s disbandment. [ 26 ] The solo careers continued into the postdate class, with X Japan only performing four shows. The first base two were the final two days of The Great Music Experience, [ 27 ] and the others were December 30–31 at the Tokyo Dome, titled Aoi Yoru ( 青い夜, Blue Night ) and Shiroi Yoru ( 白い夜, White Night ) respectively. [ 9 ] [ 28 ] 1995 was besides quiet, until November 19 when the band began the enlistment for their future album, Dahlia Tour 1995–1996. Around this time, the group dropped most of its original ocular kei aesthetics in favor of a more casual look. [ 9 ] While it was n’t released until November 4, 1996, singles from the album had been released a early as a few months after Art of Life. Though this caused Dahlia to contain relatively little new material, the album reached issue one on the charts. [ 29 ] The go was originally scheduled to end on March 31, 1996, however, it was cut brusque when Yoshiki herniated cervical vertebra after the March 13 show. [ 9 ] They did however perform their tradition of two Tokyo Dome concerts on December 30–31, titled Resurrection Night ( 復活の夜, Fukkatsu no Yoru ) and heedless Night ( 無謀な夜, Mubōna Yoru ). [ 9 ] On September 22, 1997, Yoshiki, Hide, Pata and Heath held a urge league where they announced that X Japan would disband. [ 9 ] Vocalist Toshi decided to leave the set, claiming that the glamorous, success-oriented life of a rock star failed to satisfy him emotionally, as opposed to a simple life and career. [ 30 ] He stated that he had made the decision back in April 1996, though it was not publicly disclosed. [ 30 ] however, around twelve years belated, he confirmed what was long-reported in the media ; that he was “ brainwashed ” via ferocity and abuse and conned out of money, leading to bankruptcy. [ 31 ] [ 32 ] X Japan performed their farewell usher, titled The last Live : last Night, at the Tokyo Dome on December 31, 1997, making it the last of five back-to-back New Year ‘s Eves the group performed at the stadium. Although late that lapp day they played “ Forever Love “ at that year ‘s Kōhaku Uta Gassen, marking their true last performance. [ 9 ]

1998–2007 : post X Japan [edit ]

While reissues, compilations and live footage continued to be released, the members of X Japan pursued solo careers and other projects. Hide, who released his first solo album Hide Your Face in 1994, continued his solo career with a sound distinctively different from X Japan ‘s music, leaning more towards alternative rock, until his end on May 2, 1998. [ 22 ] Just two months late, the debut album 3.2.1. from his American-based ring Zilch, which included Ray McVeigh ( The Professionals ), Paul Raven ( Killing Joke ) and Joey Castillo ( Queens of the Stone Age ), was released. [ 22 ] His one-third alone album Ja, Zoo, formally including his survive ring Spread Beaver, was released in November 1998 and became his most successful, having reached number one and sold over a million copies. [ 19 ] Prior to his death, Hide and Yoshiki talked about restarting X Japan with a newfangled singer in the class 2000. [ 33 ] Toshi ‘s alone career, which began in 1992, has been across-the-board, with him having released over 30 albums and performed numerous acoustic shows for smaller audiences. According to his web site, his Utatabi Traveling Concert tour included over 3,000 concerts between 1999 and 2003. [ 30 ] After both having released alone albums in the early 90s, Pata and Heath teamed up with Spread Beaver percussionist/ programmer I.N.A., who worked on respective of X Japan ‘s releases, to provide a path for the 1998 Hide protection album Tribute Spirits. [ 34 ] The three would reunite again in 2000 to form Dope HEADz, which released two albums before ceasing activity. [ 35 ] Heath then continued his solo career and Pata formed the implemental rock ‘n’ roll group Ra : IN, which late added Spread Beaver keyboardist DIE. [ 36 ] Before the ring ‘s separation, Yoshiki had already independently collaborated with Queen drummer Roger Taylor on the individual “ Foreign Sand ” [ 37 ] [ self-published source? ] and provided the japanese contribution to the international Kiss tribute album Kiss My Ass: Classic Kiss Regrooved, an orchestral agreement of the sung “ Black Diamond “. [ 38 ] [ 39 ] [ 40 ] A compilation with orchestral treatments of X Japan songs, titled Eternal Melody was besides released. It was performed by the London Philharmonic Orchestra and among others featured The Beatles producer George Martin as an organizer. [ 41 ] Since 1998 Yoshiki has engaged in numerous activities, such as briefly being a member of the pop music ring Globe, [ 42 ] producing singles for the Korean rock band TRAX [ 43 ] [ 44 ] [ 45 ] [ 46 ] and numerous others, american samoa well as working on his solo project Violet UK, which has yet to publish a major release. He has besides contributed music to the movie Catacombs and produced the soundtrack of Repo! The Genetic Opera. [ 47 ] On May 25, 2007, the formation of the supergroup S.K.I.N. was announced, which besides Yoshiki consists of pop/rock artists Gackt and Miyavi, arsenic well as Luna Sea guitarist Sugizo. The dance band gave its first base and only performance at the Anime Expo convention in Long Beach, California on June 29, 2007. [ 48 ]

2007–2008 : reunion [edit ]

According to a report by the newspaper Sponichi, Toshi visited Yoshiki in Los Angeles in November 2006 to work on the song “ Without You ” as a protection to Hide. [ 49 ] On March 21, 2007, Toshi announced on his web site that he and Yoshiki had recently resumed working in concert, stating that a “ raw project ” would commence soon. [ 9 ] [ 50 ] Rumors of an X Japan reunion subsequently began, and in June Yoshiki was reported as having expressed pastime in a tour ( beginning in Los Angeles ), “ Without You ” being released as a single, and that he was in talks with Heath and Pata regarding their engagement. [ 49 ] The isthmus made its first gear populace appearance on October 22, 2007, on the rooftop of the shopping concentrate Aqua City in Odaiba, Tokyo, to film a music video for the newly recorded song “ I.V. “. [ 51 ] The song was used as the theme of the american horror movie Saw IV. It was written by Yoshiki and recorded with all X Japan members of the pre-breakup lineup, as it utilizes previously unreleased guitar tracks by Hide. [ 52 ] [ 53 ] “ I.V. ” was released through iTunes on January 23, 2008, topping the shop ‘s charts on that day. [ 54 ] On January 20, 2008, two Tokyo Dome concert dates were announced for March 28 and March 30. [ 55 ] [ 56 ] Due to popular demand, they added another concert for the 29th. [ 57 ] These three shows were entitled X Japan Resume Attack 2008 I.V. – Towards Destruction, with each individual concert titled Night of Destruction, Night of Madness and Night of Creation, respectively, and featured three guest guitarists filling in for the late Hide – Wes Borland, Richard Fortus and Sugizo. [ 54 ] [ 58 ] The March 28 concert was aired hot on the pay-per-view channel WOWOW. [ 59 ] [ 60 ] [ 61 ] During the song “ art of Life ” a hologram of Hide ( taken from footage of the “ Art of Life ” performance at the Tokyo Dome in 1993 ) played alongside the ring. [ 3 ] [ 63 ] Because of technical difficulties, possibly ascribable to the hologram, the first concert was delayed for over two hours and late came to an abrupt end when drummer Yoshiki collapsed eight songs into the performance. [ 3 ] [ 63 ] The subsequent shows were without such difficulties and during a imperativeness league, plans for a concert in Paris, France on July 5, 2008, were announced, with an mean consultation of 20,000 people. [ 60 ] [ 61 ] In addition to the Paris date, plans for concerts at the Madison Square Garden in New York City on September 13, and at the Taipei World Trade Center in Taipei on August 2 were besides announced. [ 64 ] [ 65 ]

2008–2010 : Delays, Sugizo joins and first oversea performances [edit ]

The Hide memorial acme took identify on May 3 and 4, 2008, at Ajinomoto Stadium, with X Japan performing the second day, as a tribute to the musician who was besides a early X guitarist. numerous other popular acts such as T.M.Revolution, Oblivion Dust and Versailles besides performed, with Phantasmagoria and Luna Sea even reuniting for one day. [ 66 ] [ 67 ] Organizers planned for an estimated 100,000 fans to attend the two shows. [ 68 ] On June 8, it was reported that all of X Japan ‘s previously scheduled shows would be postponed until further notice, due to a recurrence of Yoshiki ‘s disk hernia. The Paris and Taipei concerts were rescheduled, Paris for November 22, 2009. [ 69 ] [ 70 ] [ 71 ] A particular clarification in Taipei, in celebration of the beginning X Japan live concert in Taiwan in 2009. On September 15, 2008, Yoshiki held a press conference in Tokyo, where he announced a new, nameless X Japan birdcall was in the works. [ 72 ] [ 73 ] Concerts at Saitama Super Arena on Christmas and New Year ‘s Eve 2008 were besides announced. After the conference Yoshiki went on a promotional tour across Asia. [ 74 ] On November 7, the french ticketing web site Avos announced that the planned ticket sale for the read in Paris would be canceled. Later that sidereal day, X Japan released a press argument through their french language web site apologize for the second delay and announced that the planned Christmas shows would likely suffer a similar destiny. [ 75 ] On December 31, X Japan performed their New Year ‘s Eve countdown performance at the Akasaka Blitz. [ 76 ] adam Japan in concert in Hong Kong 2009, featuring an trope of the asleep Hide on blind, whom they calm consider a penis of the set. On January 15, 2009, the ring arrived in Hong Kong for their January 16 and 17 shows. [ 77 ] On May 1, it was announced that Sugizo officially joined X Japan as lead guitarist. Since the band still considers the asleep Hide a extremity, Sugizo became the one-sixth extremity of X Japan. [ 78 ] Their beginning testify with him as a entire extremity was held the adjacent day at the Tokyo Dome, [ 79 ] where they played “ Jade “ for the first time. [ 80 ] The Taiwan concert that was postponed for a moment time in January, was finally held on May 30, 2009. [ 81 ] ten Japan at Lollapalooza in 2010 On January 9, 2010, the band made its first public U.S. appearance by shooting four new music video recording in Hollywood. The four videos were for “ Rusty Nail “, “ Endless Rain “, “ I.V. “, and their fresh sung “ Jade “. [ 82 ] In February, Yoshiki confirmed that X Japan would be performing at Lollapalooza in August. [ 83 ] Later that calendar month, he announced at a crusade event that the ring would be relocating to Los Angeles, California, with a concert being planned for a “ simple ” venue in the city area to mark the band ‘s first official union american show. [ 84 ] It was besides announced that a sixth album was in the works and was expected to be released in the fall. [ 85 ] In March 2010, Yoshiki filed a lawsuit against Nexstar Corporation, for 375 million yen in damages. [ 86 ] [ 87 ] The band ‘s abridge with the caller included the use of recordings, [ 86 ] the initial softwood was for 600 million yen in advance royalties and sign money, which the band claims not to have received. [ 86 ] Between 2008 and 2009, the party besides sponsored respective concerts around Asia and Japan, not having paid performance fees and merchandise sales to X Japan. [ 87 ] In all, the sum amateur amount was more than 900 million yen. [ 87 ] The lawsuit sought only 375 million yen for the tax income earned from the concerts, with an extra call of 600 million yen in font the trial proceeded. [ 86 ] [ 87 ] Yoshiki ‘s side finally won the lawsuit in 2014, where the Tokyo District Court ordered Nexstar to pay 660 million yen in damages. [ 88 ] On July 1, the band appeared at Club Nokia in Los Angeles where they performed an acoustic setlist, and recorded a music television for the new sung, “ Born to Be free ”. [ 89 ] [ 90 ] On July 4, the two founding members Toshi and Yoshiki, appeared in Paris at the Japan Expo 2010 where they performed some songs. [ 91 ] During the following month, X Japan and Yoshiki were featured in numerous newspapers and websites such as ABC News, the Los Angeles Times and the Chicago Sun-Times. [ 85 ] [ 92 ] [ 93 ] X Japan performed at Lollapalooza 2010 in Grant Park, Chicago on August 8. In the succeed days, Yoshiki did a Q & A article with the Phoenix New Times and was interviewed by ABC News. [ 94 ] [ 95 ] On August 14 and 15, 2010, the band performed a two-day prove at Nissan Stadium, the largest stadium in Japan. Some media reported an estimate attendance of 140,000 for the two concerts. [ 96 ] Ex-bassist Taiji joined them on stage both nights as a guest for the song “ ten ” ; [ 97 ] he would die the follow year. [ 96 ] [ 98 ] [ 99 ] Soon after, once deceased guitarist Hide ‘s management caller, Headwax Organization, filed a lawsuit against Yoshiki and X Japan ‘s management, Japan Music Agency, for using images of the former penis without a courtly agreement in place. [ 100 ] The claim states that in 2000 the two companies signed an agreement allowing Yoshiki and X Japan to use ocular images of Hide during concerts. however, images were used at these Nissan stadium shows, when obviously the contract already expired. [ 86 ] [ 101 ] [ 102 ] From September 25 to October 10, X Japan performed their first ever north american english go with dates in Los Angeles, Oakland, Seattle, Chicago, Vancouver, Toronto and New York City. [ 103 ] On December 17, Yoshiki announced that a new X Japan birdcall, “ Scarlet Love Song “, was composed for the animize movie adaptation of the Buddha manga. [ 104 ]

2011–2014 : World tour and Madison Square Garden [edit ]

Pata, Heath and Sugizo perform in São Paulo, 2011. It was announced on January 27, 2011, that X Japan signed a 3-year agreement with EMI in November 2010. The label will handle the american distribution of their individual “ Jade ”, which was to be released on March 15, and their ignoble album, which was set for release in late summer. In forwarding of the fresh album, it was besides stated they would be touring extensively around the world throughout 2011. [ 105 ] [ 106 ] X Japan performed on March 6 at Asia Girls Explosion, a fashion event and music concert that Yoshiki created with Jay FR. It was announced they would perform in Argentina, Brazil, Chile, Mexico, and Peru late in the year. [ 107 ] due to the 2011 Tōhoku earthquake and tsunami that occurred in Japan on March 11, the isthmus decided to postpone the handout of “ Jade ” until June 28. Yoshiki besides decided to auction off one of his used touch Kawai crystal august pianos, of which all proceeds were sent to help provide care to the victims of the earthquake and tsunami. [ 108 ] [ 109 ] [ 110 ] “ Scarlet Love Song ” was released in Japan on June 8, and on June 28 their first cosmopolitan single, “ Jade “, was released, both on iTunes. [ 111 ] [ 112 ] That lapp sidereal day they performed in London, the inaugural concert of the European leg of their ongoing earth tour, [ 113 ] which was followed by Paris on July 1, [ 114 ] [ 115 ] Utrecht on July 2 and Berlin on July 4. [ 116 ] [ 117 ] [ 118 ] adam Japan besides performed at the 2011 Summer Sonic festival that was held on August 13 and 14, in Tokyo and Osaka. [ 119 ] [ 120 ] Their global enlistment ‘s south american english leg took them to ; Santiago on September 9, São Paulo on September 11, Buenos Aires on September 14, Lima on September 16 and Mexico City on September 18. [ 121 ] [ 122 ] [ 123 ] The asian leg of the enlistment brought stops in Seoul on October 28, Shanghai on October 30, Hong Kong on November 4, Taipei on November 6 and Bangkok on November 8. [ 124 ] [ 125 ] [ 126 ] The Beijing show, primitively scheduled for November 2, was cancelled by the promoters on October 25 due to “ technical and product issues ”. [ 127 ] [ 128 ] After more than two years of inactiveness, X Japan announced the remastered compilation album The World ~X Japan Hatsu no Zensekai Best~ for release on June 17, 2014. [ 129 ] Prior to its physical release, a digital adaptation titled X Japan World Best became available in 111 countries via iTunes on May 21. [ 129 ] They performed at Yokohama Arena on September 30 and October 1, [ 130 ] and at Madison Square Garden on October 11. [ 131 ] At both concerts, the cover of the song “ Beneath The Skin ” was played, originally written by Sugizo for S.K.I.N., the group formed by Yoshiki in 2007. [ 132 ] They participated in Music Station Super Live 2014 on New Year ‘s Eve, marking their first television appearance in seventeen years, the last being on Kōhaku Uta Gassen in 1997. [ 133 ]

2015–present : Unreleased one-sixth studio apartment album, documentary film, and Japan tour [edit ]

In June 2015, Yoshiki announced X Japan ‘s sixth and first studio album in 20 years would be released on March 11, 2016. [ 134 ] [ 135 ] The isthmus has announced that the sixth album would contain between 13 and 14 tracks, including some short pieces. [ 136 ] It was besides announced that they were to perform at the Wembley Arena in London on the following day, where We Are X, a documentary film about the band, would be premiered. [ 134 ] The isthmus performed on June 28 at Makuhari Messe as separate of the second night of Luna Sea ‘s lunatic Fest. [ 137 ] The first single from the album, “ Born to Be free “, was released on November 6, 2015. [ 138 ] [ 135 ] X Japan ‘s first gear domestic tour of Japan in 20 years began with three consecutive dates at Yokohama Arena on December 2, continued with Osaka-jō Hall on December 7, Marine Messe Fukuoka on December 9, Hiroshima Green Arena on December 11, and finished on December 14 at the Nippon Gaishi Hall. [ 139 ] They besides performed on Kōhaku Uta Gassen for the first time in 18 years. [ 140 ] On January 15, 2016, Pata was rushed to the intensive wish unit of a Tokyo hospital. He was diagnosed with a dangerous condition, which included a dangerous blood clot, but was in stable condition. On February 3, X Japan announced the postponement of their album release and March 12 concert at the Wembley Arena for a hale year ; [ 141 ] the concert subsequently taking position on March 4, 2017. [ 142 ] In June, Yoshiki stated that Pata was discharged from the hospital in March, but had to go back for operating room in August. Pata announced he was discharged on August 10. [ 143 ] X Japan headlined all three nights of the Visual Japan Summit on October 14–16, 2016 at Makuhari Messe. [ 144 ] The We Are X soundtrack album was released on March 3, 2017. [ 145 ] The soundtrack reached No. 4 in its first base workweek in the Oricon Albums Chart, [ 146 ] No. 27 in the UK Albums Chart, [ 147 ] and No. 1 in the UK Rock & Metal Albums Chart. [ 148 ] On March 3, 2017, an album sign took position at HMV in Oxford Street, London. All the physical copies of the We Are X soundtrack available at the sign were sold in the event. According to store staff, this was the inaugural fourth dimension there was a sell-out of all physical copies at such a sign. [ 142 ] A newfangled song, “ La Venus ” was used as the ending theme song for We Are X and was one of 91 songs in controversy for nomination for the Academy Award for Best Original Song for the 89th Academy Awards. [ 149 ] [ 150 ] In April 2017, Yoshiki announced that the one-sixth album ‘s songs were ready and only mix and overcome remained, and the secrete was expected “ in the adjacent few months ”. [ 151 ] When Yoshiki performed on BBC Radio 4 ‘s Front Row on October 20, 2017, it was announced the sixth album would be released in spring 2018. [ 152 ] On May 9, 2017 Yoshiki ‘s management announced that the drummer would undergo pressing surgery on May 16, where an artificial phonograph record would be inserted between his vertebra. ascribable to his health conditions, it was reported that concerts would need to be either rescheduled or cancelled. [ 153 ] On June 9, X Japan announced at a wardrobe conference that the concerts would not be postponed but alternatively performed as an acoustic enlistment, with Yoshiki at the piano, as it is unsealed whether he would be able to play the drums in the future. [ 154 ] In November it was announced that X Japan will perform at the year-end Kōhaku Uta Gassen, as separate of the White Team. [ 155 ] The band performed a medley of “ endless rain ” and “ Kurenai ”, and during the performance Yoshiki played drums again for the foremost time since his neck operating room. [ 156 ] The January 2018 issue of Neo magazine named X Japan the “ Best Musical Act ” in their annual awards, with We Are X named the “ Best asian Movie ”. [ 157 ] In February 2018, the band ‘s performance at Wembley in 2017 was named the “ Best consequence ” at Wembley Arena in the 2017 SSE Live Awards. [ 158 ] In March 2018, We Are X was named the “ Best Music Film ” in the Space Shower Music Awards. [ 159 ] On April 10 and 11 the band performed at Zepp Divercity in Tokyo for a limit audience, and the concert was broadcast be across Asia in selected theaters. Richard Fortus, Wes Borland, and Miya of Mucc appeared as guest musicians. [ 160 ] All three besides joined X Japan for their beginning performance at the Coachella festival on April 14. [ 161 ] [ 162 ] At the second weekend of the festival, Marilyn Manson joined the band on stage and performed “ Sweet Dreams “ with Yoshiki on piano. [ 163 ] When interview for KLOS ‘s Jonesy’s Jukebox, Yoshiki said the album would be released in either summer or fall 2018. [ 164 ] In July, it was besides announced that X Japan would perform at the television receiver Asahi Dream Festival on September 15. [ 165 ] On Christmas Day 2018, X Japan were named 43rd in that year ‘s Oricon Favorite Artists poll. [ 166 ] In an interview with JRock News on February 13, 2019, Yoshiki said, “ X Japan ‘s album is actually completed. It took over 10 years to record, I ‘m looking for the perfect clock to release it. ” [ 167 ]

melodious vogue [edit ]

“Kurenai” (




Kurenai “, X’s major debut single, is a fast power metal song with heavy symphonic elements and has become one of the band’s signature songs.“Tears” (




A piano driven ballad with classical orchestration, “ Tears “ was the ring ‘s first single released with bassist Heath .”Scars” (




ten ‘s alone single written by person other than Yoshiki, “ Scars “ is a progressive metallic element song by the band ‘s dead person former guitarist obscure .

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X Japan ‘s music developed in the wake of American and British glam and heavy alloy music, and is characterized by driving accelerate / exponent metal compositions with symphonic elements ( e.g. “ Kurenai “, “ silent Jealousy “ ) and emotional ballads ( e.g. “ Endless Rain “, “ constantly Love “ ). [ 22 ] [ 168 ] [ 169 ] Many of the group ‘s songs make use of orchestrated passages, particularly on longer tracks such as the ten and a half minute “ Tears “, “ Crucify My Love “, and the twenty-nine-minute “ artwork of Life “. [ 170 ] The majority of the ring ‘s lyrics are in japanese, the band ‘s native lyric, however many instances show the lyrics alternating from japanese to English and back. Examples of this include the spoken-word background vocals during the bridge of “ Rusty Nail “, and multiple lines ( including the entire pre-chorus ) of the song “ week end “. The first base recorded version of “ Kurenai ” from Vanishing Vision contains lyrics wholly in English. The majority of the band ‘s catalog of music was written by Yoshiki with relatively small composition from the other members. Hide contributed respective songs, including the individual “ Scars “, while Pata ‘s alone claim is “ White Wind from Mr. Martin ~Pata ‘s Nap~ ”. Toshi ‘s contributions are limited to lyrics for a few songs. Taiji contributed music to a copulate of songs, notably “ Voiceless Screaming ” from the album Jealousy, for which, when performed live, he played the acoustic guitar, and “ Desperate Angel ”. [ 171 ] Heath ‘s only writing citation is the implemental sung “ Wriggle ” on the 1996 album Dahlia, which he wrote with Pata. only one birdcall is credited as a full ring collaboration, “ easily Fight Rambling ” on the 1989 album Blue Blood. Of songs from the band ‘s lesser-known former members, only the cut “ Time Trip Loving ” from the single “ Orgasm ”, composed by Jun with Toshi writing the lyrics, was officially released. In 2010 it was reported that Sugizo had written some songs, though no far data has been given since. [ 172 ] That year, Yoshiki claimed that their fresh material was “ pretty much the lapp thing, possibly a little edgy. ” [ 173 ] however, in 2014 he specifically stated it will not be the lapp as before, adding that it will be identical heavy, melodic, and “ more contemporaneous ”. [ 174 ] Yoshiki ‘s songwriting march begins with writing the score for each song by hand before playing it with the isthmus. [ 175 ] His composing style tends to make use of chords in sequences of eights or more with riff-based motifs or call-and-response style wording. He has maintained this dash for the majority of his career as a composer. Having played classical piano since he was four years old, Yoshiki claims to be as influenced by classical music music as he is by rock. While besides serving as the main songwriter, Yoshiki has production credit on much of X Japan ‘s late material. During alive performances, the band relies on its members ( with drummer and pianist Yoshiki and guitarist and violinist Sugizo switching between their instruments ) and prerecorded tracks for mastermind strings, spoken bible passages, and more recently, some of Hide ‘s guitar parts. [ 61 ]

appearance and double [edit ]

When we played heavy music … I went the dispatch inverse and did something feminine. When we played ballads, I had spiky hair .Yoshiki, Dazed[176]

X Japan ‘s appearance was inspired by glam rock, Kiss, David Bowie, equally well as traditional japanese kabuki field, where it was customary for male actors to play female roles and dress like women. ocular kei artists silent frequently use feminine looks and garbs for their stage. [ 177 ] [ 178 ] [ 179 ] [ 176 ] According to Josephine Yun, “ like its music, X ‘s look was individualist. big-shouldered Toshi donned leather and metal, looking like a character out of the anime Gundam. Taiji dolled up in perfect, reasonably glam. Pata ‘s sleepy, backseat demeanor and whiskey bottle became his brand, as Hide constantly goaded the audience. And Yoshiki was a paradox all his own, bewitchingly effeminate one moment — and a full-force, wrist-breaking ( literally ) hurricane in concert the adjacent. ” [ 178 ] Will Hodgkinson of The Times described X Japan as having, “ the grandiosity of Queen, the heavy-metal hysteria of Iron Maiden and the symphonic sophism of authoritative music, all tied up with a goodly dose of melodrama. ” [ 8 ] Their early image was characterized by heavy make-up, night eyeliner and eyeshadow, face-painting and high-standing hair, which one critic described as “ skyscraper haircloth ”. Yoshiki ‘s highly androgynous looks, dressed in lace and pearls, were referred to as “ decadent ”. The dance band besides used accessories evocative of glam- goth ( metallic element jewelry, crosses ). Their phase reflected the band ‘s dichotomy in nature : the forceful, “ masculine ” big metal songs were balanced out by Toshi ‘s high tenor articulation and Yoshiki ‘s soft piano play, where he would often wear long female dresses, and act effeminate. [ 179 ] By the free of their 1995 studio album Dahlia, the dance band toned its stage appearance down, cutting their hair and wearing more rock-inspired outfits. [ 179 ] In a 2010 interview, Yoshiki stated that the abandon of stronger makeup and hideous outfits was a natural progression in their style, however, they distillery do consumption constitution on stage, “ sometimes heavy, sometimes less ”, and that he still considers the set ocular kei. [ 180 ]

bequest and influence [edit ]

Guitarists Pata, Heath, and Sugizo at Madison Square Garden, 2014 . Yoshiki and Toshi at Madison Square Garden, 2014.

ten Japan is considered one of the founders of ocular kei, a movement among japanese musicians comparable to western glam, with the diagnose itself believed to have been derived from their motto “ Psychedelic Violence Crime of Visual Shock ”. [ 22 ] [ 181 ] In 2011, Yoshiki briefly described their early years and the apparent motion ‘s development, saying “ when we started the isthmus, the problem was we didn ’ deoxythymidine monophosphate belong anywhere. Because we were playing very intemperate music, we were wearing tons of makeup and brainsick outfits. So we couldn ’ metric ton belong anywhere ”, “ [ We did our own thing and ] that finally became ocular kei. ” [ 182 ] He added “ But ocular kei is more like a heart, it ’ s not a music stylus or, you know … I think it is a freedom about describing myself, a freedom to express myself, that ’ s what I believe ocular kei is. ” [ 182 ] Upon former guitarist Hide ‘s end in 1998, less than a class after the isthmus broke up, Billboard’ s Steve McClure declared it “ the end of an earned run average ”, explaining “ X was the first base generation of ocular kei bands [ … ] For the future generation of bands, it ‘s like : That’s it. The torch has been passed to us. “ [ 22 ] many bands and artists, most related to ocular kei, count them as an charm or look up to them, including Miyavi, [ 183 ] Dir en grey, [ 184 ] [ 185 ] Syu and Fumiya of Galneryus, [ 186 ] [ 187 ] The Gazette, [ 188 ] D, [ 189 ] Sadie singer Mao, [ 190 ] Tōru Kawauchi from 12012, [ 191 ] Maya of LM.C, [ 192 ] Flow, [ 193 ] Yuuki from Unsraw, [ 194 ] DJ Ozma, [ 195 ] Kei of Dio – Distraught Overlord, [ 196 ] aie from Deadman, [ 197 ] Screw ‘s Jin, [ 198 ] Mari of Mary ‘s Blood, [ 199 ] and DaizyStripper. [ 200 ] The members of Versailles named X and Luna Sea as influences, with singer Kamijo saying “ I think there is n’t anyone in the japanese music clientele who has n’t been influenced by them. ” [ 201 ] Likewise, Leda of Galneryus and Deluhi claims he was not even interest in music until a acquaintance played him X Japan and Luna Sea, and besides declared X Japan ‘s music his “ bible “. [ 202 ] Established musicians Dancho ( Nogod ), Miya ( Mucc ), Yuu ( Merry ), Akane ( ex- The Scanty ) and Daisuke ( Jupiter ) occasionally perform in a X Japan cover dance band called X Suginami. [ 203 ] american musician Marty Friedman called X Japan the biggest ring in ocular kei and “ by far the most versatile musically, ” and cited them as the reason he got into japanese rock music. [ 204 ] Kai from Esprit D’Air named X Japan as one of his top ten rock and metal bands from Japan and besides covered their sung “ Kurenai ”. [ 205 ] In We Are X, Gene Simmons claims that if the X Japan members were “ born in America or England and sing in English, they might be the biggest band in the worldly concern. ” [ 206 ] Due to band ‘s assorted misfortunes with the suicide of ring members, Toshi ‘s brainwashing and miss of abroad success, X Japan has been described in The Times as : “ The world ‘s unluckiest band ”, in an article published on Friday the thirteenth October, 2017. [ 8 ] When asked in an interview if the band was unlucky, Yoshiki answered : “ Kinda ? I mean, you know, with thus much crazy drama that has happened over the years. But at the same time, we have amazing fans around the worldly concern so I ca n’t say ‘the global ‘s unluckiest band ‘, but what I can say is ‘the universe ‘s luckiest set ‘. Thanks to our fans. ” [ 207 ] The group was popular among rebellious youths, who were attracted to, as Asiaweek put it, “ the tone of alienation and frustration for which X was revered. ” [ 208 ] Their music was described by Asiaweek as having “ an angry heavy that rejected the cookie-cutter principles of japanese society. ” [ 208 ] In 1998, Radio and television receiver horde Bryan Burton-Lewis explained “ In Japan, the double that we have of the X hearing is rural kids going through a rebellion phase. They put their life into being adam fans : they dress like it, they breathe it. ” [ 208 ] In the documentary Global Metal, Yoshiki stated that the music diligence and media hated the ring and would not evening interview them, “ but finally we sold 20 million albums, so they had no choice ”. [ 204 ] x Japan has besides been named one of the first japanese acts to achieve mainstream success while on an independent record label. [ 22 ] [ 209 ] In 1990, they won the “ Grand Prix New Artist of the class ” award at the 4th annual Japan Gold Disc Awards. [ 16 ] HMV Japan ranked the band phone number 40 on a 2003 list of the 100 most significant japanese pop acts, and in 2010 they came in one-third in a pate by Oricon on which japanese bands people want around for future generations. [ 210 ] [ 211 ] [ 212 ] In 2011, Consequence of Sound named X Japan one of their acme 15 Cult Acts. [ 213 ] In April 2012, X Japan won the Revolver Golden Gods Award for “ Best International Artist ”. [ 214 ] They were awarded “ Most give Fans ” in the 2012 Loudwire Music Awards on January 17, 2013, [ 215 ] and won the poll again two years late on February 3, 2015. [ 216 ] Later that year, they besides won the web site ‘s Best Live Band Tournament in August, beating out Pearl Jam in the concluding round. [ 217 ] LA Weekly ranked X Japan tenth on an October 2014 list of the 10 Best Prog Metal Bands. [ 218 ] In March 2017, Loudwire named X Japan the Best Metal Band from Japan writing that “ their high-octane power metallic and exhilarating live usher make them the pinnacle of intemperate music in the ‘Land of the Rising Sun ‘. ” [ 219 ] however, X Japan has besides made a mark outside of the music industry. In 1999, at the request of the japanese government, Yoshiki composed and performed a authoritative sung for Japan ‘s Emperor Akihito at a celebration in honor of the tenth anniversary of his coronation. [ 220 ] [ 221 ] Japan ‘s former Prime Minister Junichiro Koizumi is a well-known fan of the isthmus. [ 220 ] [ 222 ] [ 223 ] His political party, the Liberal Democratic Party, even used X Japan ‘s song “ Forever Love ” in several commercials in 2001. [ 224 ] It was besides reported that Koizumi was influential in getting the Hide Museum opened in Yokosuka in 2000. [ 225 ] Yoshiki stated he loved “ the punkish elements ” of the albums Iron Maiden and Killers by Iron Maiden. [ 226 ] He besides cited Sex Pistols, the Clash, GBH, and Chaos UK as favorite bands. [ 226 ]

Members [edit ]

current members [edit ]

  • Yoshiki – drums, piano, keyboards, bandleader[125] (1982–1997, 2007–present)
  • Toshi – lead vocals, acoustic guitar (1982–1997, 2007–present)
  • Pata – rhythm guitar, backing vocals (1987–1997, 2007–present)
  • Heath – bass guitar, backing vocals (1992–1997, 2007–present)
  • Sugizo – lead guitar, violin, backing vocals (2009–present) as a touring musician (2008–2009)

early members [edit ]

  • Yuji “Terry” Izumisawa (



    Izumisawa Yuji

    ) – guitar (1982–1985, died 2002)

  • Tomoyuki “Tomo” Ogata (



    Ogata Tomoyuki

    ) – guitar (1984–1985)

  • Atsushi Tokuo (

    德應 淳


    Tokuo Atsushi

    ) – bass guitar (1984–1985)

  • Kenichi “Eddie Van” Koide (



    Koide Kenichi

    ) – guitar (1985)

  • Yoshifumi “Hally” Yoshida (



    Yoshida Yoshifumi

    ) – guitar (1985)

  • Kazuaki “Zen/Xenon” Mita (



    Mita Kazuaki

    ) – guitar (1985–1986)

  • Hisashi “Jun/Shu” Takai (



    Takai Hisashi

    ) – guitar (1985, 1986)

  • Hikaru Utaka (



    Utaka Hikaru

    ) – bass guitar (1985–1986)

  • Masanori “Kerry” Takahashi (



    Takahashi Masanori

    ) – guitar (1986)

  • Satoru Inoue (



    Inoue Satoru

    ) – guitar (1986)

  • Isao Hori (



    Hori Isao

    ) – guitar (1987)[11][227]

  • Taiji – bass guitar, acoustic guitar, backing vocals (1985, 1986–1992, died 2011)
  • Hide – lead guitar, backing vocals (1987–1997, died 1998)
    • Although Hide and Taiji are deceased, the band still considers them members and introduces them at every concert, with the group going as far as to play audio/video clips of their voice/guitar for some songs.

timeline [edit ]

discography [edit ]

Studio albums

Tours and performances [edit ]

Kōhaku Uta Gassen [edit ]

ten Japan performed 7 times on Kōhaku Uta Gassen, a esteemed year-end television receiver indicate on NHK network. [ 140 ]

Year Performed song
1991 / 42nd Silent Jealousy
1992 / 43rd 紅 (Kurenai)
1993 / 44th Tears
1994 / 45th Rusty Nail
1997 / 48th Forever Love
2015 / 66th 紅白スペシャルメドレー 〜 We are X ! 〜 (Forever Love / BORN TO BE FREE)
2016 / 67th 紅 (Kurenai)
2017 / 68th Endless Rain / Kurenai

Concerts [edit ]

  • August 23, 1991
  • January 5, 6, 7, 1992
  • December 30, 31, 1993
  • December 30, 31, 1994
  • December 30, 31, 1995
  • December 30, 31, 1996
  • December 31, 1997
  • March 28, 29, 30, 2008
  • May 2, 3, 2009

Awards [edit ]

See besides [edit ]

References [edit ]

foster reading [edit ]

  • Uchuu o Kakeru Tomo e: Densetsu no Bando X no Sei to Shi (

    宇宙を翔ける友へ: 伝説のバンド X の生と死

    ) by Taiji, Tokuma Shoten, 2000, ISBN 978-4-19-861174-3

  • Hide Days, by Takarajimasha, 2003, ISBN 4-7966-2746-4
  • Yoshiki (


    ), by Narumi Kamotsu, Kadokawa Shoten, 2009, ISBN 978-4-04-883687-6

  • Brainwash ~Comeback from 12 Years of Hell~ (

    洗脳 ~地獄の12年からの生還~


    Sennō ~Jigoku no 12-nen Kara no Seikan~

    ), by Toshi, Kodansha, 2014, ISBN 4-0621-8657-8